2020 Season's Greeting by LaoZhu, President of CIHA

2020 Season's Greeting by LaoZhu, President of CIHA

 

Dear colleagues,
 
Happy New Year! On behalf of CIHA, I wish you all the best in 2020.
 
The 35th World Congress of Art History spans two cities far apart, i.e. Florence and St. Paul. We find ourselves in a middle ground between the East and the West, and between the North and the South - a state of suspension that infers a kind of freedom. Such freedom enables us to see more clearly today’s world, inflicted with turmoil, hardships and conflicts. We are being united by a shared asset, i.e. Art History, which also allows us to collaborate with each other.
 
In 2019, CIHA has accepted several new national members to apply to join in, and several former member to rejoin in, e.g. Costa Rica, Finland, Israel, Georgia, Portugal, etc. We can be best connected through personal connections between art historians, from which we can build up connections of knowledge, information and perception, and in the end, connections of arts and civilizations.
 
But such connections are not sufficient to realize the unique assets of Art History. In the past, we cherished the differences of the Other, hence embraced arts from other cultures as rare treasures. It is exactly due to such differences that we appreciate each other. Today, with the advent of the image age, images that differ from languages and archeological relics open up a new prospect for us to communicate with each other. Some years ago, at its board meetings, CIHA had proposed to build an image database to be shared among all member states of CIHA. Such a database may seem to be a fantasy or even delusion in the past. But today, thanks to the development of blockchain technology, 5G or 6G technology, and quantum computing technology, such a database is within our reach now. It is supposed to overcome all the barriers in data storage and data transmission, hence be shared by all members of CIHA. Without all images being accessible to us all, our research will forever stay at the stage of “case study”. Without knowing the interconnections between images, we cannot make sound judgments. Whenever I read books by senior scholars or my colleagues, I always sense a kind of hesitation between the lines. Having put great effort to gather materials/information, they still cannot get hold of all relevant image materials, due to geographical, political or cultural reasons. Hence their scholarship falls short of being thorough. If we have an image database accessible to all parties concerned, we can draw upon a complete reservoir of images to discuss certain issues. In this way, we can surely solve many problems that previously are insolvable.
 
You might remember that CIHA proposed four goals at its board meeting in Rome in 2017, in addition to holding the 35th World Congress of Art History at Florence and St. Paul. Besides building an image database, the other three goals are as follows.
 
To build an official website of CIHA. We have attained the goal so far. CIHA.org posts research updates and conference information in a timely manner, and all of us have been learning to make the best out of it.
 
To launch an online education program that also serves as a communication platform. Tristan Weddigen named the program “Best for Everyone”. It is designated to have art historians to give several-minutes-long talks in their mother tongues, on topics they are most expert at, e.g. certain artworks or art phenomena, and then broadcast the talks online in the format of video clips. Still at an experimental stage, the program will first be trialed on in France, Greece, India, Japan and China. These talks will capture the quintessence of human civilization, and like the sunlight, they will shine through every corner on the globe.
 
To resume the publication of the academic journal under the auspices of CIHA. Peter Schneemann and Thierry Dufrene, two ex-chiefs of CIHA, and the presidency of CIHA, have been jointly working on this and decided that the journal is to be titled as Terms for a Global Art History. After the New Year’s holiday, we will have the honor to read their proposal.
 
We keep working, thus we can achieve something. This is our hope for the new year. Let’s hold onto this hope, now and forever.
 
LaoZhu (Zhu Qingsheng)
The President of CIHA
On the New Year’s Day, 2020
 
 

 

尊敬的同事:

新的一年来到了,在此我代表CIHA向大家问候,也奉上我的由衷的祝福。

CIHA今年正处于从佛罗伦萨到圣保罗的两个大会之间,也让我们处于东方的世界和西方的世界之间、北边的世界和南边的世界之间。这次会议把我们每个人都带到了一个中间悬置的状态,而悬置的自由能够让我们更加看清楚今天的世界的纷扰、困难和冲突,而因为有艺术史,我们,毕竟还可以在一起说一些共同合作的话题。

2019年,CIHA已经和正在接受或重新接纳几个国家会员的进入和回归:哥斯达黎加、芬兰、以色列、格鲁吉亚、葡萄牙,等等。最好的联系是艺术史家之间人与人的联系,如此也就有了知识、信息和感觉的联系,也就有了艺术的联系和文明的联系。

但是仅有这样的联系还不足以发挥艺术史的独一无二的优长。在历史上,我们把与自我形象和现象的不同视为珍稀的宝贝,把他人的宝藏当成艺术的美感来欣赏,因为差异而使我们互相观照和倾慕。而现在,随着图像时代的到来,图像这个既与语言文字相异,又与考古的事物和遗迹并存的专门的行业,突然在我们眼前平铺出一道交流的坦途和奇景。也许我们还一直被另外一个希望鼓舞:在若干年前,CIHA理事会再度提出来,希望用新技术来推进一个全世界共建、共享的图像数据库。过去这对我们的前辈来说是一个幻想抑或是妄想,但是现在区块链的技术,5G、6G传播能力和量子计算的新的通讯方法能让图像数据库不再是一处的人做完以后再去互相分享,而是一处的人做而所有的相关者都能同时得到和拥有,这样的新技术将会减少图像因储存和传输而产生的许多障碍,只要我们愿意,就能共有。在艺术史研究中,如果我们没有对所有的图像的充分全部的获得与把握,可能我们所做的研究永远只是一个“个案”,而对于重要的问题,如果没有所有图像间相互的关联,就无法进行全面的判断。每次读到前辈和同事们写的书,我都敬佩他们为了一些材料和信息而攀爬于大漠江河之间,沉浸在古籍之中、孤灯之下,但总还感觉到他们的忐忑。由于地理、政治和意识形态的原因,还是有许多相关的图像材料没有被看到,还是有一些知识和常识没有能够被掌握。但是如果我们有了共同的联系,有了一人做成同时就能让所有的人分有的图像数据库,合在一起,不久或者终有一天,就能在全部图像数据的基础上对某一个问题进行讨论,解决一些重大的问题才成为可能。

大家可能记得,这一届理事会在开好一分为二的第35届世界艺术史大会之外,提出了四个任务。除了上面所说的共建图像数据库以外,另外三件事,第一是建立官网,现在已经做到了,CIHA.org使研究和会议的消息完全可以互相联通,大家正在逐步习惯使用之。

第二是做一个教育和交流的网络项目,Tristan Weddigen名之为“Best for Everyone”,就是让每一个艺术史家用母语就他最熟悉的艺术作品和现象讲几分钟,在网络上用短视频推广。此事正在实验和推进,首先将会在法国、希腊、印度、日本和中国试做。希望这个“几分钟”将会让人类的光华像阳光一样照亮地球的每个角落。

第三是恢复CIHA学刊。我们的两位老秘书长Thierry Dufrêne和Peter J. Schneemann与现任的主席团已经在合作设计,学刊标题将是《世界艺术史的概念与术语》(Terms for a Global Art History)。新年假期之后,大家就会收到他们的编辑计划。

我们在工作就能够使我们都拥有,这是我们的新年的希望,也希望新的一年中,大家能够把希望持之永远!

 

朱青生

国际艺术史学会主席

2020年元旦